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Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Mississippi Review, New Orleans Review, Booth, West Branch, and Pleiades.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features N+1, Boston Review, Virginia Quarterly Review, and Witness.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Cave Wall, 6x6, Big Fiction, the Paris Review, and the New England Review.
Small Press Points highlights the innovative and can-do spirit of independent presses. This issue features Toadlily Press, the Chappaqua, New York–based poetry publisher whose annual anthologies include the chapbooks of four different poets.
Copper Canyon Press executive editor Michael Wiegers provides an in-depth analysis of one of John Taggart’s poems to exemplify the value of the poet’s work and explain why he decided to publish Taggart’s collection of new and selected poems.
Amelia Gray reports on Featherproof Books’ recent release of a compilation of thirty issues of the Minus Times, which originated as a broadside and evolved into an eclectic literary magazine showcasing the work of a new generation of American authors.
Carrie Neill explores the ever-evolving publishing landscape and highlights independent presses experimenting with the increasingly fluid interaction between print and digital, analog and interactive.
Contributing editor Michael Bourne highlights the trend of family-run indie presses and explores how the editors champion innovative authors whose work is often considered by commercial publishers to be unmarketable.
Three debut authors compare notes about everything from working with an editor to choosing a cover.
Contributor Jeremiah Chamberlin profiles indie innovator Dzanc Books, which in four short years has gone from a start-up to a publisher with five imprints, three literary magazines, and a list of over fifty titles.
