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One of the world's most beloved storytellers, Neil Gaiman talks about his novel The Ocean at the End of the Lane, young adult literature, writing comics, and how writers should (and should not) use Twitter.
Nobel prize-winning poet Wislawa Szymborska, as well as Surrealist artist and poet Dorothea Tanning, passed away yesterday in their respective countries; novelist Paul Auster has engaged in a war of words with Tayyip Erdogan, the prime minister of Turkey; Open Letters Monthly examines the hidden life of Virginia Woolf's institutionalized half-sister, Laura Makepeace Stephen; and other news.
Sam Savage wrote for decades and eventually gave up completely before his debut novel was published when he was sixty-five. Now he’s an international best-selling author with a third novel, Glass, published by Coffee House Press, and one simple message for all of us: Art can save you.
Veteran publishing professional Betsy Lerner interviews five literary agents for an inside look at how they strategize to get a book deal.
Nick Piombino has been associated with various schools of poetry, but he is, perhaps, most well known for being one of the theorists who initiated the investigation into what became Language poetry. He spoke recently about collaboration, collage, and his collection Contradicta: Aphorisms, forthcoming from Green Integer Press this month.
What began for Robin Romm as an exercise in navigating the loss of her mother evolved into a memoir, The Mercy Papers: A Memoir of Three Weeks, published this month by Scribner. She recently spoke about transitioning from fiction to nonfiction, and back again, and the difficulty of releasing a memoir into the world.
To get to Wonewoc, the small town in Wisconsin where novelist David Rhodes lives with his wife, Edna, one must look for signs to Highway 80, State Road 33, County Road EE, Highway Q, and other rural thoroughfares.
Pattiann Rogers, author of twelve poetry collections, including Wayfare (Penguin, 2008), recently spoke about the process of writing her latest collection, the importance of investigation, and the pleasure of naming the world.
Phillip Lopate, considered by many to be one of the most important essayists of our time, discusses the controversies surrounding creative nonfiction, his own essay-writing process, and the ultimate quality he looks for in nonfiction—an interesting mind at work on the page.
