Unsolicited Press

Genres Published: 
Poetry, Fiction, Creative Nonfiction
Book Types: 
Chapbook, Novella, Short story collections, Essay collections, Novel, Memoir, Poetry collections
Formats: 
Paperback, Hardcover, E-book
Reading Period: 
Jan 1 - Dec 31
Reporting Time: 
Less than 3 months
Charges Reading Fee: 
No
Publishes Through Contests Only: 
No
Accepts Electronic Submissions: 
Yes
Accepts Simultaneous Submissions: 
Yes
Accepts Unsolicited Submissions: 
Yes
Titles per Year: 
11 to 20
Contact Information
123 Somewhere St
City: 
San Francisco,
State: 
California
Zip / Postal Code: 
94132
Contact E-mail: 

Please note: The information provided in this database is provided by the publishers listed in it.
Last updated: April 7, 2014

Current Issue

Cover Story 

Our Independent Publishing Issue features an in-depth interview with Graywolf Press editor Jeff Shotts; a look at the successful partnerships of eleven small-press authors and their editors; a profile of indie essayist Charles D'Ambrosio; Donald Hall recalls a golden age of American poetry; best-selling author Miranda Beverly-Whittemore on the rewards of self-promotion; advice for self-published authors; a conversation with Guernica publisher Lisa Lucas; and much more.

Finding Gems in Lost & Found

by Rebecca Bates

News and Trends

Posted 10.15.14

November/December 2014

The Center for Humanities at the CUNY Graduate Center in New York City is making the ephemeral more tangible through its Lost & Found chapbook series.

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Let's Just Do This: Eleven Small-Press Authors and their Publishing Partners

by Kevin Larimer

Special Section

Posted 10.15.14

November/December 2014

Eleven small-press authors and their publishing partners discuss the independent approach—and all the passion, commitment, and love that comes with it—to bringing books into the world.

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Agents & Editors: Jeff Shotts

by Michael Szczerban

Special Section

Posted 10.15.14

November/December 2014

Graywolf Press executive editor Jeff Shotts discusses the power of patience in publishing, editing as an act of empathy, and why it’s an exciting time to be a poet.

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