Elaine Equi
“I never acquired the habit of keeping a journal, except to record my dreams. It always amazes me when I reread one from years ago, how fresh it still seems—more vivid
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In this online exclusive we ask authors to share books, art, music, writing prompts, films—anything and everything—that has inspired them in their writing. We see this as a place for writers to turn to for ideas that will help feed their creative process.
“I never acquired the habit of keeping a journal, except to record my dreams. It always amazes me when I reread one from years ago, how fresh it still seems—more vivid
“I believe in fair trade. When I need inspiration I start giving more time and attention to the world around me. I write an e-mail to someone I miss.
“Write first drafts on paper. This cancels self-criticism immediately; unless you have truly ugly, banged-up handwriting, everything you write will be visually
“My working methods, I suspect, are too peculiar and old-fashioned to be instructive. Nevertheless, I don’t make outlines. I don’t do drafts—or not intentionally—not as such.
“Music was my first love, and it’s still the source for me even though I haven’t touched a piano or guitar in years. It continues to teach me about phrasing, pitch, shifts in rhythm, shifts in tonal register—all of the qualities I value in writing.
“I write in periods of forty-five minutes using my cell phone timer, and take fifteen-minute breaks between each session. I repeat this until I’m done for the day.
“When I was in the thick of writing my novel, Juventud, I took dance classes two or three times a week. This provided obvious physical benefits,
“When in doubt, go further, deeper, weirder. Take the elements that make your story unique and double down on them. There's a tendency in writing classes and craft essays to suggest that writers work on their weaknesses and round out their skills.
“Like most writers, I prefer to write in silence, but I’m not always free to enable it. Sometimes circumstances pull you on the road, out of the house
“Often when two of my characters are in a room together, they’ll reach a point at which neither wants to converse with the other anymore. They’ve talked and talked, and though they can’t advance the dialogue, they are forced to remain in the same space. Maybe it’s a home or a job or an airplane.