Rebecca Pyle is a writer of stories, poetry, essays, and reviews appearing over the past decade in many art/literary journals--mainly journals created in the United States, but also journals created in Hong Kong, Germany, Austria, France, Belgium, India, England, Ireland, and Northern Ireland.
Rebecca Pyle is a visual artist, also (photographs, paintings, drawings).
Her writing and artwork appear in:
(Writing) Post Road Magazine (forthcoming), The Kleksograph (Belgium), Anacapa Review/Gunpowder Press, Belmont Story Review (forthcoming), Pacifica Literary Review, Third Street Review (forthcoming), Brink Literary, Flying Island Journal, Die Leere Mitte (Berlin), Burningword Journal, The Los Angeles Review, EXCERPT Magazine, Santa Fe Writers Project Quarterly, 805 Lit + Art, Solstice Literary Journal, Cagibi Literary, SEISMA Magazine (Oxford, U.K., forthcoming), Miracle Monocle, Vincent Brothers Literary Review (forthcoming), BarBar Literary, Pangyrus Literary, Otis Nebula, Fugue, SIAMB!, Coffin Bell, Hare's Paw, The Honest Ulsterman (Northern Ireland), The Hong Kong Review, Hare's Paw, Grist, Eclectica, LandLocked, The National Poetry Review, Common Ground Review, Posit, Sepia Quarterly, Kithe, Galway Review (Ireland), The Festival Review, Terrain.org, In Parentheses, The Kleksograph (Belgium), Gargoyle Magazine, Guesthouse, Antonym, Requited Journal, The Chattahoochee Review, The Penn Review, Constellations, Map Literary, Wild Roof Journal, Belletrist Magazine, Sweet Tree Review, Bridge Eight Literary Magazine, Cobalt Review, Muse/A Journal, Pomme Journal, Coffin Bell, Litro (U.K. edition), Litro (U.S. edition), Oxford Magazine, Artists of Utah's 15 Bytes, Twyckenham Notes, La Piccioletta Barca (U.K.), Forbidden Peak Press, Equinox Poetry and Prose, Thirty West Publishing House, Requited Journal, Lindenwood Review, Poor Yorick, The Remembered Arts Journal, Taj Mahal Review (India), The Bangalore Review (India), Indian Review (India), Stoneboat Journal, Wisconsin Review, Wayne Literary Review, The Healing Muse, Roanoke Review, The Underwater American Songbook (poetry chapbook: Underwater New York, 2018), LIT Magazine, The Cape Rock: Poetry, Underwood Review, The HitchLit Review
(Visual Art) Silk Road Review (forthcoming), MAYDAY, The Kleksograph (Belgium), Third Street Review, Burningword Journal, Red Ogre Review, The Black Fork Review, La Piccioletta Barca (U.K., forthcoming), Sand Hills, Dream Noir, 805 Lit + Art, Gulf Stream, Pithead Chapel, Cream City Review, Otis Nebula, The Banyan Review, Gris-Gris, Blood Orange Review, Rock Salt Journal, Barnstorm Journal, Wilderness House Literary Review, Concrete Desert Review, Wisconsin Review, West Trestle Review, Kelp Journal's 'The Wave', Under the Sun, december, The Galway Review (Ireland), Kithe, The Madison Review, JuxtaProse, Penumbra, New England Review, Raven Chronicles Journal, Grist, The William and Mary Review, Permafrost, Hawai'i Review, Oxford Magazine, The Underwater American Songbook (poetry chapbook cover: Underwater New York, 2018), The Tishman Review, Tayo Magazine, Pomme Journal, The Emerson Review, Stoneboat, DASH, Artists of Utah's 15 Bytes, The Healing Muse, The Menteur (Paris; Canterbury, U.K), Watershed Review, Roanoke Review, Wayne Literary Review, Friends of the Great Salt Lake, The Helix, Inklette (India), DeLuge Journal, Litro (London/U.K.), Belle Ombre (U.K.), TINT Journal (Austria, Germany), The Perch, The Remembered Arts Journal, Dark Ink Magazine, Coffin Bell, Abstract Journal, Thirty West Publishing House, The Alexandria Quarterly, Rathalla Review, Rathalla Annual Review 2020, Apeiron Review, The Moving Force Journal, FOLIO, JuxtaProse, Anomaly (London), Another Chicago Magazine, LIT Magazine, San Antonio Review, Barzakh Magazine, River River, Here Comes Everything Magazine (Coventry, U.K.), The Antonym, The HitchLit Review, The Kleksograph (Belgium), The Rappahannock Review
(Cover art) Pithead Chapel, JuxtaProse (three issues), Rock Salt Journal, Blood Orange Review, Barnstorm Journal, The HitchLit Review, The Rappahannock Review, Raven Chronicles Journal, The Underwater American Songbook (a chapbook cover, Underwater New York, 2018), Oxford Magazine, The Rathalla 2020 Annual Review, The Antonym,West Trestle Review
Interviews with Rebecca Pyle can be found in The Miracle Monocle, West Trestle Review, JuxtaProse, Roanoke Review, The Antonym, and in Kelp Journal's blog 'The Wave'.
Honors, awards: A fiction piece ("Honey, Himalayan Salt") awarded the Miracle Monocle Award for Innovative Writing; a fiction piece ("Ravaged") longlisted in Vincent Brothers Review's annual writing competition; a fiction piece ("The House on Stilts") shortlisted by BarBar Literary for their annual fiction prize; a fiction piece ("Cartoon of Goodness") nominated by Posit for inclusion in a Best of the Net Anthology; a fiction piece ("White as Clouds") nominated by Guesthouse for the Pushcart Prize; a poem ("The Young in New York") shortlisted for The Penn Review's annual poetry prize; a fiction piece ("Money") shortlisted for La Piccioletta Barca's collaborators' prize; a poem ("The Pig and the Milk-White Jar") named the runner-up in The National Poetry Competition in the United Kingdom, broadcast over BBC2; a fiction piece awarded first prize in the Wolfe writing competition at the University of Kansas; a fiction piece awarded first prize in the Whitcomb writing competition at the University of Kansas; poetry awarded first prize in the William Herbert Carruth poetry competition, also at University of Kansas
