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Phillip Lopate, considered by many to be one of the most important essayists of our time, discusses the controversies surrounding creative nonfiction, his own essay-writing process, and the ultimate quality he looks for in nonfiction—an interesting mind at work on the page.
The origin and form of Mayhill Fowler’s Huffington Post report on Barack Obama’s use of the word “bitter” suggest her work is neither blogging nor journalism, but creative nonfiction. That its effect was out of proportion with its intention begs the question: What can the creative nonfiction writer expect in the Information Age?
Greg Bottoms has demonstrated that the truth is rarely black and white in all three of his books of creative nonfiction, but never more vibrantly than in his latest, The Colorful Apocalypse.
