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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
In 1995 Brian Henry joined forces with Andrew Zawacki to resurrect Verse magazine. In 2000 he elicited the help of Matthew Zapruder and co-founded Verse Press. Along the way Henry, an assistant professor of English and director of the creative writing program at the University of Georgia, established a broad international reputation, both for his editorial and critical efforts, and for his sizable creative output.
In the last decade programs in Translation Studies, designed to train students in the theory and practice of literary translation, have flourished in American and European universities. Still, translators remain concerned about the future of their profession, fearing it will be undermined by a number of serious threats: English as a global language, computer translation, and the reluctance of publishers, at least in the English-speaking world, to take on the costs of publishing translations.
British novelist Hong Ying faces a "defamation of the dead" lawsuit in China for her book K: The Art of Love, a fictional portrayal of the love affair between Bloomsbury poet Julian Bell and the celebrated Chinese writer and painter Ling Shuhua.
Literary MagNet chronicles the start-ups and closures, successes and
failures, anniversaries and accolades, changes of editorship and
special issues—in short, the news and trends—of literary magazines in
America. This issue's MagNet features Verse, Fence, McSweeney's, Open City, Orchid, Two Lines, and the Missouri Review.
Naropa University has established the Naropa Audio Preservation and Access Project to archive the program's vast holdings of recorded readings, lectures, panel discussions, and workshops.
Helon Habila read novels as a boy to shelter himself from the brutal reality of his country’s political instability. Now, the author of Waiting for an Angel believes his generation of Nigerian novelists should help change that reality.
Last spring I embarked on a modest project. Having photocopied 10 of my favorite poems—by poets living and dead, from several different countries—I stapled them into an anthology and stood on a sidewalk in Times Square, where I read the poems aloud. I had no other gimmicks and no amplification. I did this on several occasions, always bringing a friend along for moral support and to assist in handing out free copies of the anthology, which I titled "Antidote."
The task of bringing literature into another language means transporting an entire culture, its shame as well as its triumphs.
Alice James Books has published about 130 books by an eclectic list of poets including Jane Kenyon, Fanny Howe, B.H. Fairchild, Timothy Liu, and Rita Gabis, and it will celebrate its 30th anniversary with a yearlong schedule of events in 2003.
After finishing About a Boy by Nick Hornby, a reader in New York City left it on a Starbucks magazine rack with hopes that someone would pick up the novel and read it. Two days later a reader from Delta, British Columbia, found the book, took it back to Canada, read it, and left it in the waiting room of a dentist's office, where it found its way into the hands of another local reader. The tracking of such a literary journey is made possible by a unique online book club called BookCrossing.com.
Two thousand years after it was destroyed by fire, the Bibliotheca Alexandrina—the mythic Egyptian library that at one time boasted a universal collection of everything ever written—as reopened to the public on October 16.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features New Letters, Brick, The Ohio Review, 96 Inc, Poetry Review, Gloss, and Explorations.
Less than a year after his third novel, The Corrections, was awarded the National Book Award for fiction, Jonathan Franzen is back with a new collection of nonfiction.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features One Story, Chicago Review, Boston Review, Agni, Ploughshares, Poetry, Blackbird, and Creative Nonfiction.
Three new films based on books of fiction are scheduled to be released in October: Ethan Canin's The Palace Thief, Michael Cunningham's The Hours (which features an all-star cast including Meryl Streep, Nicole Kidman, Julianne Moore, Claire Danes, and Ed Harris), and Janet Fitch's White Oleander.
Over three hundred poems, short stories, and essays written in response to the events of last September have been collected in three new anthologies: September 11, 2001: American Writers Respond, Poetry After 9/11: An Anthology of New York Poets, and 110 Stories: New York Writes After September 11.
A Word A Day: A Romp Through Some of the Most Unusual and Intriguing Words in English—a collection of 273 unusual, obscure, and exotic words inspired by Anu Garg's linguistic e-mail service, A.Word.A.Day—will be published by John Wiley & Sons in October.
Black Sparrow Press, based in Santa Rosa, California, began in 1966 as a vehicle for John Martin to publish the work that he loved, but went on to become a financial success. It published more than 650 titles, with annual sales eventually rising to more than $1 million, which is why it came as a surprise to many in the publishing industry when Black Sparrow went out of business last spring.
Witnesses looked on in anguish as the murky flood waters of the Vltava River surged over Prague, one of the world’s greatest literary cities-home of Kafka, Kundera, Hrabal, and Havel.
Don DeLillo is the author of twelve novels, including White Noise, Libra, Underworld, Mao II, and most recently, The Body Artist. He has won the National Book Award, the PEN/Faulkner Award for fiction, the Lila Wallace-Reader's Digest Award, and the Jerusalem Prize. He was born in 1936 and grew up in the Bronx.
The 16th annual Paris Writers Workshop wrapped up on July 5 after a week-long schedule of workshops, lectures, readings, and walking tours.
Giving a public reading, for most writers, involves a good deal of anxiety, a powerful dose of pride in one's work, and the cool relief of getting through the experience without humiliation. Payment often comes in the form of applause. But for those writers whose names regularly appear on book jackets and prize announcements, public readings can mean big business—and big paychecks.
This is not an essay. Though maybe, in a way, it is. Because it's a strange thing about essays—even talking about them, trying to get at what they are, it's hard not to cleave to the spirit of the essay, that inconclusive, most outwardly formless of forms, which spills and seeps into so many other kinds of writing-memoir, feature, commentary, review—and punctuates every assertion with a qualification, a measure of doubt, an alternate possibility.
In January, National Geographic Books launched a series that offers a different kind of travel book—one that uses the unique perspective of a writer to explore the larger implications of place.
