Best Books for Writers

Edited by Dinty W. Moore, who is also the longtime editor of Brevity: A Journal of Concise Literary Nonfiction, this book features twenty-six essays by the genre's most established writers. Each essay is followed by an exercise or writing prompt to help readers apply to their own practice the ideas the essayists offer.

Joseph M. Williams offers a practical guide to improving one’s writing by focusing on the sentence and paragraph levels. Style: Toward Clarity and Grace includes strategies for identifying weak writing and using form as a way to approach revision.

John B. Thompson presents an accessible overview of the book publishing business—from the changes in agenting to the conglomeration of publishing houses to the growth of the retail chains to the digital revolution. This book provides writers with an in-depth understanding of publishing's ecosystem, providing them with the background they need before taking their manuscript to market.

Novelist and essayist Barbara Abercrombie offers a collection of wide-ranging anecdotes, lessons, and prompts for beginning and veteran writers. A Year of Writing Dangerously devotes sections to writerly topics such as “failing better,” mentorship, and keeping faith, and pairs each lesson with a quotation from a famous writer.

Published in partnership with the New York Public Library and based on an exhibit that originally appeared there, this guide offers a comprehensive but idiosyncratic look at the small press publishing scene in San Francisco and in downtown Manhattan during the 1960s and '70s. It includes a timeline and over two hundred images from one of the richest periods of American writing and publishing. 

Author Luke Reynolds reflects on forging his own writing life and interviews fourteen other authors—including Jane Smiley, Daniel Handler, Robert Pinsky, George Saunders, Lindsey Collen, and David Wroblewski—about their worst rejections, their first publications, what keeps them motivated, and why they believe in the power of words.

Drawn from poet Ed Hirsch's Washington Post Book World column "Poet's Choice," this collection features classic and contemporary poems with essays by Hirsch about the poems and their various forms.

A witty guide to which words and phrases should not only be avoided, but, as the author puts it, "taken to the language dump to never be heard from again." 

Robin Hemley examines memoir, journalism, and travel writing as categories of immersion writing and further breaks them down—into the quest, the experiment, the investigation, the infiltration, and the reenactment—in order to define the way writers approach their relationship to their subjects. The book includes helpful exercises, as well as addressing the ethics and legalities of writing about other people.

In this collection of essays, fifty-nine women poets offer far-ranging guidance and advice on everything from revision, chapbooks, daily practice, writing conferences, publishing, and writing about the unspeakable. Aimed at emerging and established poets alike, the book is arranged in four themed sections and includes a foreword by poet Molly Peacock.

In this book-length study of the personal essay, Carl Klaus unpacks the made-up self and the manifold ways in which a wide range of essayists and essays have brought it to life. By reconceiving the most fundamental aspect of the personal essay—the I of the essayist—Klaus demonstrates that this seemingly uncontrived form of writing is inherently problematic, not willfully devious but bordering upon the world of fiction.