Ten Questions for Isaac Fitzgerald
“A reader who truly needs these stories might not come to them for weeks, months, or even years.” —Isaac Fitzgerald, author of Dirtbag, Massachusetts: A Confessional
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“A reader who truly needs these stories might not come to them for weeks, months, or even years.” —Isaac Fitzgerald, author of Dirtbag, Massachusetts: A Confessional
The author of Took House explores the importance of “strangeness” in poetry and offers a method for capturing this quality by combining two different draft poems.
The author of Took House explores a kinder approach to revision, in which language cut during one editorial process may be saved as material for a new writing project.
The author of [WHITE] explores the benefits of writing to a specific audience and the risks of trying to meet the market’s imagined demands.
The author of [WHITE] considers how writers might take inspiration from visual artists in their approach to revision, pushing beyond surface editing to “see” their work afresh.
The author of [WHITE] explores how writing outside one’s primary genre can lead to literary breakthroughs.
The author of [WHITE] shares how experimenting with found texts can energize the poetic process and expand a poet’s lyric repertoire.
“Prioritize writing. Make time for it. Plan it like you plan your grocery lists. Plant your ass in the chair and do it.” —Gabe Montesanti, author of Brace for Impact
The author of Country of Origin looks back on the fifteen years she spent working on her debut novel.
Ten writers, including Alex Dimitrov and Kaitlyn Greenidge, share the best writing advice they’ve ever heard.