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GalleyCat rounds up several pitch letters that succeeded in landing a literary agent; the New York Times reports small bookstores appear to be thriving; the Wall Street Journal picks its favorite novels of 2012, including Shani Boianjiu's The People of Forever Are Not Afraid; and other news.
Scholars may soon have full access to the T. S. Eliot's personal papers and correspondence; Greg Olear examines his writing success at forty; rumors of a possible merger or sale of the Wylie Agency are afloat; and other news.
Mike Shatzkin has two pieces of advice for publishers; Alex Balk discusses abandoning his post-modern novel, Slumdog Millionaire screenwriter Simon Beaufoy has written an adaptation of Billy Lynn’s novel, Long Halftime Walk; and other news.
Literary agent Rebecca Gradinger explains why writers need agents and offers tips about best practices for finding one.
The agent of Jami Attenberg, David Mitchell, Carolyn Parkhurst, Matthew Quick, and others offers guidance about publishing credits, MFA programs, and unagented submissions.
Veteran publishing professional Betsy Lerner interviews five literary agents for an inside look at how they strategize to get a book deal.
Does your book need to be finished before you seek representation? Do agents really read synopses? Agent Jenni Ferrari-Adler, whose clients include Lauren Shockey and Emma Straub, answers these questions and more.
When is the best time in your career to look for representation, and when should you call off an author-agent relationship? Terra Chalberg, whose clients include Lori Ostlund and Glenn Taylor, tackles these questions and more.
The agent of authors such as Kevin Brockmeier and Marisa de los Santos offers her thoughts on self-publishing and what she looks for in the first five pages of a writing sample.
An editor reveals how the best agents—Molly Friedrich, Jud Laghi, Chris Parris-Lamb, Scott Moyers, and Jennifer Joel among them—work behind the scenes to help their clients’ books get the attention they deserve.
