Writers’ Workshop at Seventy-Five
In early June the Iowa Writers’ Workshop celebrated its seventy-fifth anniversary with a reunion of faculty and alumni that brought together some of the most recognized names in literature today.
Jump to navigation Skip to content
In early June the Iowa Writers’ Workshop celebrated its seventy-fifth anniversary with a reunion of faculty and alumni that brought together some of the most recognized names in literature today.
American novelist Thomas Legendre, who has worked with British poet Matthew Welton to develop a new creative writing program at the University of Nottingham, speaks about what makes study in England unique and what writers can gain from attending the new graduate program.
Size, funding, cost of living—there's plenty to consider when choosing a postgraduate creative writing program. In our second annual ranking of the top fifty MFA programs, contributor Seth Abramson measures sixteen distinct program features for the 148 full-residency programs in the United States, Canada, and New Zealand, and eight features for each of the 46 low-residency programs around the world.
A combination of hard data from programs that release funding and admissions figures to the public and a vital survey of what the individuals comprising the next generation of U.S. poets and writers have to say about their own priorities in choosing a postgraduate program, here is a ranking of the nation's top fifty MFA programs.
On January 15, City University of Hong Kong, an English-language school with seventeen thousand students and a campus notable for its urban, contemporary architecture, will begin accepting applications for a new low-residency MFA program in creative writing.
In this excerpted version of his article from the November/December 2009 issue, contributor Seth Abramson reveals the methodology behind his ranking of the top fifty MFA programs in the United States, plus a ranking of the additional eighty-eight full-residency programs. For the full article and additional data for each program, including size, duration, cost of living, teaching load, and curriculum focus, see the November/December 2009 issue of Poets & Writers Magazine.
Matthew Shenoda speaks about his new role as the Assistant Provost for Equity and Diversity at California Institute of the Arts, in Valencia, part of an institute-wide initiative to promote intercultural awareness and develop support mechanisms for students from varying ethnic backgrounds.
New York University announced this month that it has appointed Orange Prize-winner Zadie Smith as a full professor in its creative writing program. Smith, who currently teaches at Columbia University, will begin her tenure in September 2010.
A group of writing instructors and students who over the years formed a ragtag band during late-night impromptu jam sessions at the Bennington Writing Seminars released their first CD earlier this year. Titled Let's Doghouse: A Tribute to Liam Rector, the compilation serves as a memorial to the founding director of the Writing Seminars, a poet, who passed away two years ago.
Poet Matthew Shenoda has been named the first Assistant Provost for Equity and Diversity at California Institute of the Arts. The newly created position is part of an institute-wide initiative to promote intercultural awareness and develop support mechanisms for students from varying ethnic backgrounds.