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In this online exclusive we ask authors to share books, art, music, writing prompts, films—anything and everything—that has inspired them in their writing. We see this as a place for writers to turn to for ideas that will help feed their creative process.
“I write with my whole body. It’s best if I’m alone because surely I look like a maniac. Forget coffee shops. Librarians have eyed me warily. Even though I don’t write longhand, I still have a physical relationship to the process of writing. I tap, sway, and chew through sentences.
“Whenever I’m feeling stuck or stale in my writing, I find that the proverbial walk in the woods offers everything from relief to inspiration. When my subject is too raw, I’m soothed by the solitude of the forest—solitude meaning alone without the page staring me in the face.
“I’m not so much interested in things like plot and character and pacing and all that other literary nonsense, but rather the discrete quanta with which those things are built: Words.
“I’ve actually found Twitter to be a strange and exciting writing device. I love the way it makes me think about text without context, content in spite of intent, form without formality.
“Most of the poetry I’ve written since 2008 has been written to the music of the band The Be Good Tanyas, specifically the album Hello Love and more specifically the song “Human Thing.” This song gets me into the clear-eyed and serious yet also kind of woozy/dreamy headspace I need to be i
“In addition to reading, I generate narrative nonfiction by wandering around. I stroll downtown and through populated neighborhoods in search of an interesting person, a dramatic event, an unexpected interaction, a surprise sighting. I’m not searching for a scoop. I want something that fascinates me so much that it demands further exploration and documentation.
“Like many writers, I spend a lot of time by myself, so I sometimes get stuck in the echo chamber of my own brain. The best remedy I’ve found, and the fastest way to inject new energy into my work, is eavesdropping on others.
“When I’m stuck, it’s usually because I’ve been overwriting. That’s when I take a break and watch clips of stand-up comedians. Essayists and comedians are, in my opinion, doing pretty much the same work, but most of the time comedians do it better. I watch a lot of Louis C. K. and a lot of Patrice O’Neal. There’s one Richard Pryor bit where he talks about setting himself on fire while freebasing that is so stunningly open and vulnerable.
“I tend to work in bursts where I’ll write a lot of fairly polished work in a short amount of time. When I’m not in that mode, I use a notebook all the time to record what I see, read, think; to work out structural problems that are keeping me from writing; to take down ideas for future work.
“I have been preoccupied lately, to an alarming degree, by the creative process of collage. I spend most of my free time cutting out words from newspaper headlines and pictures from fifty-year-old magazines. Combining the stern, authoritative tone of ‘the News’ and the wholesome and charmingly hopeful images of fifties and sixties advertising (or that era’s glamorous photojournalism) makes for a jarring and often hilarious piece of art.
