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As AI makes it easier for people to generate text, literary editors are wrestling with how to weed out submissions by authors trying to pass off AI work as their own from those that use the technology in a more ethical way.
Random House executive editor and vice president Jamia Wilson talks about her passion for publishing as a craft, how being a writer informs her work as an editor, and the importance of keeping an expansive interest in books.
Mariner Books executive editor Rakia Clark talks about unlocking the full potential of an author, how writers can shine in the query letter, and effecting meaningful change in the publishing industry.
The new editor of Poetry shares his aspirations for shaping the 110-year-old magazine to reflect an expansive literary landscape.
Annie Hwang of Ayesha Pande Literary talks about community building, professional burnout, the questions writers should ask when querying agents, and the demanding work of advocating for diversity in publishing.
Sally Kim, senior vice president and publisher of G. P. Putnam’s Sons, on amplifying her own voice to amplify the voices of others.
The author of Southbound and The Parted Earth writes about how authenticity editors have helped enrich her work in all genres.
The editor in chief of Riverhead Books, an imprint of Penguin Random House, talks about her start in publishing, acquiring books, editing as a creative process, and more.
Ben George, a senior editor at Little, Brown who works with some of the biggest names in literary fiction and nonfiction, talks about the author-editor relationship, the plight of the midlist writer, and the art of revision.
Emily Nemens on her new role at the storied magazine, her editing process, and her plans for future issues.
