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A new exhibit opening in June at the National Museum of the American Indian considers the important role that visual and material storytelling plays in chronicling the histories of Great Plains Native nations.
A testament to best-selling novelist Amy Tan’s obsession with birds, The Backyard Bird Chronicles spotlights hundreds of excerpts of illustrations and prose from Tan’s observations over the years.
Inspired by the “Wanted” posters U.S. law enforcement officials used to locate fugitive outlaws, poet John Yau and visual artist Richard Hull hail under-appreciated artists such as Sessue Hayakawa and John D. Graham.
Artist Billy Renkl recounts his painstaking process for constructing the mixed-media collages that accompany the essays in his sister Margaret Renkl’s new book, The Comfort of Crows: A Backyard Year.
The illustrator of the graphic novel My Brilliant Friend, Mara Cerri, discusses her artistic practice, the challenges of rendering an esteemed novel in images, and her experience working with one of world’s most elusive authors.
Equal parts culinary creation and visual artwork, Ella Hawkins’s intricately decorated biscuits bring her academic and artistic interests to life through the medium of hand-piped royal icing.
In her new Planetaria series, artist Monica Ong crafts visual poems in the form of objects that prompt the audience to experience poetry through the lens of astronomy.
Inspired by books and magazines she found discarded on the street, Oakland-based artist Alexis Arnold explores the vulnerability of printed media by transforming books into sculptures with crystallized borax.
To create her delicate book sculptures, Swedish artist Cecilia Levy considers the history, materiality, and composition of old books sourced from her surroundings.
Dallas artist Simeen Farhat crafts text-inspired sculptures in a complex process that blends literary and figurative composition and reminds viewers of language’s physicality.
