Copy and Paste: On Poetic Theft
The author of Yaguareté White considers the ethics of found poetry.
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Page as Stage
The author of fox woman get out! explores the connections between poetry and dance.
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World-Building in Arizona
The Worldbuilding Initiative, a new public-facing program at Arizona State University, uses ideas and skills from creative writing to encourage participants to take an active role in imagining a more equitable and sustainable future.
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Notes on Irreverent Translation
The author of Mistaken for an Empire: A Memoir in Tongues offers an approach to critically engaging with a colonialist literary canon.
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Writing the Blur
The author of Mistaken for an Empire: A Memoir in Tongues considers how archival photography can provide a rich source for literary and sociopolitical inquiry.
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The Essay as Experiment
The author of Mistaken for an Empire: A Memoir in Tongues explores how formal experimentation and play can help move a writing project forward.
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Ten Questions for Will Alexander
“Let your sense of language dawn of its own accord.” —Will Alexander, author of Divine Blue Light: For John Coltrane
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The Quotidian and the Code
The author of The White Mosque troubles the boundary between realist and genre fiction.
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Ten Questions for Marwa Helal
“This book has its own life force. All you have to do is allow it to come together.” —Marwa Helal, author of Ante body
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Wildness and Containment: A Conversation on Formal Structure and Poetic Surprise
Jay Hopler and Kimberly Johnson discuss their new books, the techniques and craft decisions they used in writing these collections, and the occasion to which both books respond: Hopler’s diagnosis of terminal prostate cancer in 2017.
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