Ten Questions for Lillian-Yvonne Bertram
“I didn’t set out to write exactly this book.” —Lillian-Yvonne Bertram, author of Negative Money
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Ten Questions for Victor LaValle
“I had to not only transform into different people and places, but to also find myself within both of those.” —Victor LaValle, author of Lone Women
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Ten Questions for Laird Hunt
“Read more! Listen more! See more! Feel more! Take better notes!” —Laird Hunt, author of This Wide Terraqueous World
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Ten Questions for Aurora Mattia
“I write when I want to say something to someone in particular—but can’t.” —Aurora Mattia author of The Fifth Wound
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Old Verdurin in His Frock Coat: On Literature’s Found Objects
The author of The White Mosque considers how writing holds space for the accidental, the random, and the stray.
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Fiat Lux: On Literary Atmospheres
The author of The White Mosque charts the ambience of literary worlds.
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Ten Questions for Olena Kalytiak Davis
“Poetry is impossible, but it is not difficult.” —Olena Kalytiak Davis, author of Late Summer Ode
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Ten Questions for Marwa Helal
“This book has its own life force. All you have to do is allow it to come together.” —Marwa Helal, author of Ante body
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Ten Questions for Dana Levin
“I am a fitful writer: long periods of not writing followed by intense engagement.” —Dana Levin, author of Now Do You Know Where You Are
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Ten Questions for Eloisa Amezcua
“To be a writer, the best thing someone can do, in my opinion, is read. Read everything.” —Eloisa Amezcua, author of Fighting Is Like a Wife
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